[Intro] Am9 D7/F# F7M(11+)
A#m9Oh, well imagine, as I'm pacing the
pews in a church corridor
D#7/GAnd I can't help but to hear
F7M(11+)
No I can't help but to hear an
exchanging of words
A#m9 "What a beautiful wedding! What a
beautiful wedding!"
Says a bridesmaid to a waiter
D#7/GYes, but what a shame, what a shame
F7M(11+)
The poor groom's bride is a whore
[Estribillo]
A#m F#I'd chime in with a "haven't you
D#mpeople ever heard of
G# A#mClosing a goddamn door?"
F#No, it's much better to face these
D#mkinds of things
With a sense of poise and
G#rationality
A#m F#I'd chime in, "haven't you people
D#m ever heard of
G# A#mClosing a goddamn door?"
F#No, it's much better to face these
D#mkinds of things with a sense of
[Segunda Parte]
A#m9 Well, in fact, well, I'll look at
it this way
I mean technically our marriage is
D#7/Gsaved
F7M(11+)
Well this calls for a toast, so,
pour the champagne
A#m9Oh! Well, in fact, well, I'll look
at it this way
I mean technically our marriage is
D#7/Gsaved
F7M(11+)
Well this calls for a toast, so,
pour the champagne, pour the
champagne
[Puente] F7M(5-) Dm6 G/B
F7M(5-) Am9 Dm6
[Estribillo]
A#m F#I'd chime in with a "haven't you
D#mpeople ever heard of
G# A#mClosing a goddamn door?"
F#No, it's much better to face these
D#mkinds of things
With a sense of poise and
G#rationality
A#m F#I'd chime in, "haven't you people
D#m ever heard of
G# A#mClosing a goddamn door?"
F#No, it's much better to face these
D#mkinds of things with a sense of
[Pós - Refrão]
F7M Dm G/B F7M G Dm
Poise and rationality
F7M G/B C5 F7M
Again
[Estribillo]
A#m F#I'd chime in, "haven't you people
D#m ever heard of
G# A#mClosing a goddamn door?"
F#No, it's much better to face these
D#mkinds of things
Dm (stop)
With a sense of poise and
rationality
A#m F#I'd chime in, "haven't you people
D#m ever heard of
G# A#mClosing a goddamn door?"
F#No, it's much better to face these
D#mkinds of things with a sense of
[Pós - Refrão]
F7M Dm G/B F7M G Dm
Poise and rationality
F7M G/B C
Again
[Final] F7M G Dm
F5-